I created these images, part of a larger series, to highlight the overwhelming quantities of discarded plastics that are polluting and choking our oceans. I hope exposure surrounding the AOP awards will help highlight the issue, and I am pleased to see there is already coverage on the BBC website and in today’s Guardian.
Meanwhile my thanks to Art Buyer & Creative Producer Kathy Howes who judged the Still Life & Object category and chose my series, and Creative Director Geoff Waring for encouraging me to explore my ideas in still life. As photographers we generally and naturally fall into shooting a particular genre. I am known for photographing people and therefore feel a greater achievement to have my work appreciated across genres.
On a final note, apparently I am the first woman to be a two times recipient of an AOP gold, which makes me extra proud.
I found it incredibly moving watching this exhibition. At a time when visiting galleries has been difficult or impossible, the clever people at the British Journal of Photography have created something quite magical.
“400 photographs [from the 2019 and 2020 Portrait of Humanity award] ascending 130,000 feet into the stratosphere, broadcasting a message of peace and unity from humankind to space – and possibly even our extra-terrestrial counterparts.”
“There is more that unites us than sets us apart“
From take-off to landing, enjoy the whole exhibition here.
As always, my thanks to Emma Slade, Madeleine Smith, Julie Read, Betty Brigstock-Williams and the Parker family. Thanks also to the teams at Portrait of Humanity and British Journal of Photography.
This is a career highlight for me. My portrait of Jonathan Morgan, a volunteer lifesaver with the RNLI has been chosen as a winner of the Portrait of Britain award! There were over 13,000 entries to this photography competition, and the 100 winning images will be displayed in a public photography exhibition at the many JCDeceaux screens around the country.
NEWS FEATURE FROM THE ASSOCIATION OF PHOTOGRAPHERSWe talk to Wendy Carrig who won a Gold in the 2019 Awards. Wendy, a
long term member, has been instrumental in reinstating the f22 group -
Women Photographers at the AOP. Read more to find out about her winning
image and the overall impact her continued involvement with the Awards
has had on her career.
Tell us more about your Selected image and the story behind it?This image forms part of a series of fashion portraits of photographer,dog hotelier and ex-model Liddie Holt, taken at her home in Somerset.This was a personal collaborative project that was later accepted forpublication.Can you tell us something surprising about the image?There were a number of dogs on set that day including dachshunds Ernieand Vincent; and a gentlemen of a Giant Irish Wolfhound called big Ron.It was also my assistant’s birthday, but she didn’t tell us! So a bigshout out to superwoman Julie Stewart!What impact has being a gold winner in last year’s awards had on your career? Winning GOLD was euphoric and surreal, and I even received two new workcommissions the day after the Awards ceremony. I’ve since been invitedto speak at a number of photography colleges; and I am currently enjoyingjudging SUN#31 the Shot Up North Photography Awards. Winning increasesprofile and confidence, and gives conformation that the work we createis enjoyed and appreciated. It has spurred me on to explore differentareas of photography and always challenge the perceived limits of myown creativity.What does the AOP do for you? The first year I set up on my own as a photographer I joined AFAEP andwas very pleased to have an image accepted into the Awards. That yearthe Awards ceremony was held at London’s Cafe Royal and my work andname was put in front of an amazing audience of high profile clientsand art directors. This type of exposure was a massive springboard intothe industry for me (possibly even more so in the days before socialmedia) and helped to immediately establish my career.This year Iwas pleased to be involved in the relaunch of f22, the AOP women’sphotography group. We aim to support AOP women photographers at allstages of their career and challenge the continuing gender inequalitywithin our industry.Have you got any advice for photographers considering entering the next awards? Be original. Be brave. If you are not sure whether to enter your workshow it to your colleagues or share it on social media to help gaugeresponse, but make your own decisions. Take responsibility for and beproud of the work you have created.And women photographers, if we all enter at least one more image thanwe did last year we could help make a difference to the gender imbalanceat the Awards, the AOP and the wider photographic industry.Good luck to all!
I was extremely honoured to be invited to judge this year's Shot Up North
Awards, and also pleased to discover that I am the first woman photographer
to be sole curator. For me photography is about passion, emotion, telling
a story, conveying a message, and encouraging reaction. In selecting the winning
images I chose them not just for their technical excellence, which is a given,
but because of my positive knee-jerk reaction on first viewing them,
and the continued enjoyment and empathy they evoke upon successive viewings.
They will stand the test of time.
My sincere congratulations to Tom Keen, Sean Knott and Simon Leach on
Their winning entries, and to everyone who entered the #SUN31 photography awards.
It was my great pleasure to judge such inspiring and emotive photography.
You can see the final 50 images here
I am delighted to announce that Shot Up North have invited me to be
their curating judge for SUN31 - the 31st Shot Up North Photography Awards.
My sincere thanks to the SUN team, this is a real honour.
I am also in esteemed company following in the weighty footsteps of recent
solo judges Brian Griffin, Louise Clements and Peter Mitchell.
Very excited to be viewing so much inspiring new photography!
Awards announcements, Awards Book and Launch Party - 21st November 2019.
Manchester venue tbc.
Portrait of model Liddie Holt with her friend Vincent the Daschund
I am truly delighted to receive a prestigious Association of Photographers'
The AOP Awards are generally acknowledged as the photography BAFTAs and
gold is their highest accolade. There is no given with a gold; some years
there are none awarded, it is simply at the discretion of the judges.
This year there were eight golds and two of them went to women photographers,
this ratio reflecting the current statistics of women photographers working
within our industry.
I received my award in the Fashion & Beauty category, and my fellow female
awardee is the talented Tina Hillier for her Documentary series.
Click to see all of this year's finalists.
My thanks to all of the team who worked on this story with me: Art Director
Jo Bell, Stylist Maria Francolini, Hair & makeup Lizzie Court, Photo Assistant
Julie Stewart and of course Liddie Holt & Vincent(pictured) and Forever
Young magazine for publishing.
Although the nature of our industry has changed in recent years as traditional
magazines disappear from the newsstands, it is our love of photography
that continues to fire our passion to create what we always hope will
be beautiful, memorable imagery.
Pictured with me above are my friend and talented art director Jo Bell, and
also my wonderful and supportive agents Anita Grossman & Rosie Harrison
of A&R CREATIVE who have been representing me a record-breaking twenty five years!
Massive thanks to Clara Mercer from the British Fashion Council who judged
my category and chose my winning picture! And to Seamus, Rachel, Nick and all
team AOP for putting on a cracking show at the East Wintergarden, Canary Wharf.
See you all next year!
p.s. The exhibition showing all 200+ Awards finalists is still on show
at One Canada Square until the end of May and, as overheard at the Awards
party, "I've just seen the exhibition and was surprised at how much better
the pictures looked in print than on my screen." Now there's an idea...
For more photography by Wendy Carrig please visit her website