All the winners from the 18th Julia Margaret Cameron awards are featured in this month’s Fotonostrum magazine.
I was absolutely delighted to have my work chosen and be announced as the winner in three categories. Huge thanks again to the judges for making their selections, and also to the talented team involved in the fashion image, and to Kate Morrissey and her son for their generosity of time whilst I created the documentary image. For more pictures and full credits for these stories click fashion, documentary, landscape.
I am delighted to discover that I have also won both the Documentary and Landscape categories in this years Julia Margaret Cameron awards! Again, my complete and sincere thanks to the JMC judging panelfor selecting my work, which I hope will help to highlight some of the issues illustrated below :
WINNER DOCUMENTARY SINGLE :
This is Kate Morrissey who received a custodial sentence as a result of her heroin addiction. She is now an NHS manager, and leads campaigns to bring about reform of the criminal justice system. See her moving and inspiring TED talk “Do we truly believe in rehabilitation?”
WINNER LANDSCAPE SERIES :
‘More Wallander than Broadchurch, this small urban hamlet with incongruous planting and strange street furniture appears no more than a ribbon of mid-century houses between vast wastelands and the sea.‘ This is a series from my personal project Urban Palms.
HONORABLE MENTION DOCUMENTARY SERIES :
These images were taken last year on the road from Cardiff to Greenham Common. I documented a reenactment of the nine day 110 mile protest march that started the Greenham Women’s Peace Camp – the largest female-led protest since suffrage. To find out more about this initiative please take a look at the work by activist group Greenham Women Everywhere, or check out my previous blog post on this event here.
Massive congratulations to all the other winners and finalists in this year’s JMC awards.
I have just been announced as a winner in the 18th Julia Margaret Cameron awards. This is hugely exciting and I am very grateful to the judging panel.
The JMC awards, an international photography competition for women photographers, take their name from one of the most important and innovative photographers of the 19th century Julia Margaret Cameron recognising her pioneering contribution to photography.
Big shout out to the incredible team of creatives who worked on this fashion story with me, freely giving of their time and talent :
Talent : Kate Orr & family
Art director : Jo Bell
Fashion stylist : Sophie Kenningham @ Frank Agency
Makeup & Hair artist : Dina Catchpole @ Frank Agency
Photography Assistant : Julie Stewart
Thanks also to Victoria Gaiger, the founder & Creative Director at RakesProgress magazine, for featuring this work in her award-winning publication.
With the recent demise of the ‘traditional’ glossy magazine, I am grateful for independent publications like RakesProgress, and photography awards such as the JMC, as important spaces for photographers and other creatives to showcase personal projects.
Many thanks again for taking the time to look and read.
Many thanks to The Times for featuring one of my images from the Greenham Women 110 mile protest march.
Bringing together original Greenham Women with a new generation of activists. “Walking in the footsteps of our foremothers to highlight the multi crises of the climate emergency, nuclear weapons escalation, extreme hunger, social inequality, daily violence against women, and more.”
A series of this work has been chosen as a finalist in the 37th AOP photography awards.
I am very pleased that two of my images have been selected for FASHION. This category was judged by one of my photography heroes Koto Bolofo whose work I have hugely admired for many years.
I am also honored to have work selected in the PROJECT category – a series of Black & White photographs from a portfolio I created last year documenting a one hundred mile protest march by the activist group Greenham Women Everywhere. PROJECT was judged by photography expert Jennie Ricketts together with Isabelle Von Ribbentrop from Prix Pictet.
All photography will be exhibited at the AOP Awards party on April 20th, where the winners will be announced.
Tomorrow I will be presenting a workshop titled ON ENTERING PHOTOGRAPHY AWARDS. The workshop was originally created by @f22aop women photographers, responding to the fact that women weren’t entering photography awards in the same way or numbers as their male counterparts. The workshop will cover how entering photography awards can improve confidence in your photographic practice, help gain visibility for your work, and how this can progress your career.
“In this year of unprecedented struggle, the message of hope, courage, reflection and resilience is now more important than ever.”
I’m very pleased and proud to have been shortlisted for the British Journal of Photography‘s Portrait of Humanity Award for this portrait of girls from London’s Womanhood Academy. Run by a passionate collective of volunteers all of African descent, the Womanhood Academy is a community youth group supporting the personal growth and empowerment of young women and girls. Their motto, Nurture A Girl, Raise A Nation.
Massive thanks to Peaches Cadogan and team at Womanhood Academy, and Aundrieux Sankofa and team at Manhood Academy, it was an absolute pleasure spending time with you all. Thanks also to the great editorial team : writer Sheryl Garratt, art director Jo Bell, photography assistant Julie Stewart, and the team at Perfect Bound magazine.
All shortlisted images will be featured in the accompanying book Portrait of Humanity Vol 3 published by Hoxton Mini Press. The judging panel were Kerri McDonald, picture editor New York Times; Sunyoung Kim, curator Museum of Photography, Seoul; Michael Weir, creative producer Belfast Photo Fest; Akinbode Akinbiyi, curator & photographer; and Elias Redstone, artistic director PHOTO 2021, Melbourne.
I am completely honored, and more than excited, to be the featured artist of the current Photo London magazine. Previous artists include Sarah Moon and Stephen Shore, both of whom are personal photography heroes.
I created these images, part of a larger series, to highlight the overwhelming quantities of discarded plastics that are polluting and choking our oceans. I hope exposure surrounding the AOP awards will help highlight the issue, and I am pleased to see there is already coverage on the BBC website and in today’s Guardian.
Meanwhile my thanks to Art Buyer & Creative Producer Kathy Howes who judged the Still Life & Object category and chose my series, and Creative Director Geoff Waring for encouraging me to explore my ideas in still life. As photographers we generally and naturally fall into shooting a particular genre. I am known for photographing people and therefore feel a greater achievement to have my work appreciated across genres.
On a final note, apparently I am the first woman to be a two times recipient of an AOP gold, which makes me extra proud.
I found it incredibly moving watching this exhibition. At a time when visiting galleries has been difficult or impossible, the clever people at the British Journal of Photography have created something quite magical.
“400 photographs [from the 2019 and 2020 Portrait of Humanity award] ascending 130,000 feet into the stratosphere, broadcasting a message of peace and unity from humankind to space – and possibly even our extra-terrestrial counterparts.”
“There is more that unites us than sets us apart“
From take-off to landing, enjoy the whole exhibition here.
As always, my thanks to Emma Slade, Madeleine Smith, Julie Read, Betty Brigstock-Williams and the Parker family. Thanks also to the teams at Portrait of Humanity and British Journal of Photography.
This is a career highlight for me. My portrait of Jonathan Morgan, a volunteer lifesaver with the RNLI has been chosen as a winner of the Portrait of Britain award! There were over 13,000 entries to this photography competition, and the 100 winning images will be displayed in a public photography exhibition at the many JCDeceaux screens around the country.
NEWS FEATURE FROM THE ASSOCIATION OF PHOTOGRAPHERSWe talk to Wendy Carrig who won a Gold in the 2019 Awards. Wendy, a
long term member, has been instrumental in reinstating the f22 group -
Women Photographers at the AOP. Read more to find out about her winning
image and the overall impact her continued involvement with the Awards
has had on her career.
Tell us more about your Selected image and the story behind it?This image forms part of a series of fashion portraits of photographer,dog hotelier and ex-model Liddie Holt, taken at her home in Somerset.This was a personal collaborative project that was later accepted forpublication.Can you tell us something surprising about the image?There were a number of dogs on set that day including dachshunds Ernieand Vincent; and a gentlemen of a Giant Irish Wolfhound called big Ron.It was also my assistant’s birthday, but she didn’t tell us! So a bigshout out to superwoman Julie Stewart!What impact has being a gold winner in last year’s awards had on your career? Winning GOLD was euphoric and surreal, and I even received two new workcommissions the day after the Awards ceremony. I’ve since been invitedto speak at a number of photography colleges; and I am currently enjoyingjudging SUN#31 the Shot Up North Photography Awards. Winning increasesprofile and confidence, and gives conformation that the work we createis enjoyed and appreciated. It has spurred me on to explore differentareas of photography and always challenge the perceived limits of myown creativity.What does the AOP do for you? The first year I set up on my own as a photographer I joined AFAEP andwas very pleased to have an image accepted into the Awards. That yearthe Awards ceremony was held at London’s Cafe Royal and my work andname was put in front of an amazing audience of high profile clientsand art directors. This type of exposure was a massive springboard intothe industry for me (possibly even more so in the days before socialmedia) and helped to immediately establish my career.This year Iwas pleased to be involved in the relaunch of f22, the AOP women’sphotography group. We aim to support AOP women photographers at allstages of their career and challenge the continuing gender inequalitywithin our industry.Have you got any advice for photographers considering entering the next awards? Be original. Be brave. If you are not sure whether to enter your workshow it to your colleagues or share it on social media to help gaugeresponse, but make your own decisions. Take responsibility for and beproud of the work you have created.And women photographers, if we all enter at least one more image thanwe did last year we could help make a difference to the gender imbalanceat the Awards, the AOP and the wider photographic industry.Good luck to all!
I was extremely honoured to be invited to judge this year's Shot Up North
Awards, and also pleased to discover that I am the first woman photographer
to be sole curator. For me photography is about passion, emotion, telling
a story, conveying a message, and encouraging reaction. In selecting the winning
images I chose them not just for their technical excellence, which is a given,
but because of my positive knee-jerk reaction on first viewing them,
and the continued enjoyment and empathy they evoke upon successive viewings.
They will stand the test of time.
My sincere congratulations to Tom Keen, Sean Knott and Simon Leach on
Their winning entries, and to everyone who entered the #SUN31 photography awards.
It was my great pleasure to judge such inspiring and emotive photography.
You can see the final 50 images here
I am delighted to announce that Shot Up North have invited me to be
their curating judge for SUN31 - the 31st Shot Up North Photography Awards.
My sincere thanks to the SUN team, this is a real honour.
I am also in esteemed company following in the weighty footsteps of recent
solo judges Brian Griffin, Louise Clements and Peter Mitchell.
Very excited to be viewing so much inspiring new photography!
Awards announcements, Awards Book and Launch Party - 21st November 2019.
Manchester venue tbc.
Portrait of model Liddie Holt with her friend Vincent the Daschund
I am truly delighted to receive a prestigious Association of Photographers'
The AOP Awards are generally acknowledged as the photography BAFTAs and
gold is their highest accolade. There is no given with a gold; some years
there are none awarded, it is simply at the discretion of the judges.
This year there were eight golds and two of them went to women photographers,
this ratio reflecting the current statistics of women photographers working
within our industry.
I received my award in the Fashion & Beauty category, and my fellow female
awardee is the talented Tina Hillier for her Documentary series.
Click to see all of this year's finalists.
My thanks to all of the team who worked on this story with me: Art Director
Jo Bell, Stylist Maria Francolini, Hair & makeup Lizzie Court, Photo Assistant
Julie Stewart and of course Liddie Holt & Vincent(pictured) and Forever
Young magazine for publishing.
Although the nature of our industry has changed in recent years as traditional
magazines disappear from the newsstands, it is our love of photography
that continues to fire our passion to create what we always hope will
be beautiful, memorable imagery.
Pictured with me above are my friend and talented art director Jo Bell, and
also my wonderful and supportive agents Anita Grossman & Rosie Harrison
of A&R CREATIVE who have been representing me a record-breaking twenty five years!
Massive thanks to Clara Mercer from the British Fashion Council who judged
my category and chose my winning picture! And to Seamus, Rachel, Nick and all
team AOP for putting on a cracking show at the East Wintergarden, Canary Wharf.
See you all next year!
p.s. The exhibition showing all 200+ Awards finalists is still on show
at One Canada Square until the end of May and, as overheard at the Awards
party, "I've just seen the exhibition and was surprised at how much better
the pictures looked in print than on my screen." Now there's an idea...
For more photography by Wendy Carrig please visit her website